Thursday, March 11, 2021 | 4:00 PM PST
Presented By We Are The Voices.
Acclaimed poets and scholars, Nathaniel Mackey and Fred Moten, will read from their poetry in the return of the We Are the Voices “Social Listening” series. Their works are profound explorations of the collocations of Black music and experimental poetics and of the “freedom drive” of Black life and the “fugitive impulses” in Black performance.
Nathaniel Mackey is the author of six books of poetry, the most recent of which is Blue Fasa (New Directions, 2015); an ongoing prose work, From a Broken Bottle Traces of Perfume Still Emanate, whose fifth and most recent volume is Late Arcade (New Directions, 2017); and two books of criticism, the most recent of which is Paracritical Hinge: Essays, Talks, Notes, Interviews (University of Wisconsin Press, 2005). He is the editor of the literary magazine Hambone and co-editor, with Art Lange, of the anthology Moment's Notice: Jazz in Poetry and Prose (Coffee House Press, 1993). His awards and honors include the National Book Award for poetry, the Stephen Henderson Award from the African American Literature and Culture Society, a Guggenheim Fellowship, the Ruth Lilly Poetry Prize from the Poetry Foundation, the Bollingen Prize for American Poetry from the Beinecke Library at Yale University, the William B. Hart Residency in Poetry at the American Academy in Rome, and the Rebekah Johnson Bobbitt National Poetry Prize from the Library of Congress. He is the Reynolds Price Distinguished Professor of Creative Writing at Duke University. Double Trio, a boxed set of three books of poetry, is forthcoming from New Directions in April 2021.
Fred Moten is Professor in the Department of Performance Studies, Tisch School of the Arts. He holds an A.B. from Harvard and a Ph. D from the University of California, Berkeley. Moten teaches courses and conducts research in black studies, performance studies, poetics and critical theory. He is author of In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003); Hughson’s Tavern (Leon Works, 2009); B. Jenkins (Duke University Press, 2010); The Feel Trio (Letter Machine Editions, 2014), The Little Edges (Wesleyan University Press, 2015), The Service Porch (Letter Machine Editions, 2016), a three-volume collection of essays whose general title is consent not to be a single being (Duke University Press, 2017, 2018) and All that Beauty (Letter Machine Editions, 2019). Moten is also co-author, with Stefano Harney, of The Undercommons: Fugitive Planning and Black Study (Minor Compositions/Autonomedia, 2013) and A Poetics of the Undercommons (Sputnik and Fizzle, 2016) and, with Wu Tsang, of Who touched me? (If I Can’t Dance, I Don't Want to be Part of Your Revolution, 2016). Moten has served on the editorial boards of Callaloo, Discourse, American Quarterly and Social Text; as a member of the Critical Theory Institute at the University of California, Irvine; on the board of directors of the Center for Lesbian and Gay Studies, City University of New York; and on the advisory board of Issues in Critical Investigation, Vanderbilt University.
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We Are the Voices is made possible by the generous support of the Andrew W. Mellon Foundation.